This blog post was originally published on the PhotoPedagogy website. It is reproduced here, along with Part 2, because I think it’s still relevant to photography education. In fact, given the seemingly inexorable shift to the right in the political realm, perhaps it’s more relevant than ever.
A brief health warning:
Nearly all of what I'm about to write is based entirely on the work of Gert Biesta, particularly his most recent book World Centred Education (which I strongly recommend every teacher, regardless of specialism, reads). In a relatively long career, I have read numerous education texts but it's no exaggeration to say that none of them has made more sense to me than this one.
I am not a philosopher nor an expert on ethics. Therefore, all these thoughts are offered in a spirit of amateur enthusiasm and I welcome any and all feedback about my weak logic.
I have divided this post into two parts. Part 1 sets up the argument. Part 2 attempts to answer the question posed at the end of Part 1. The alternative would have been a very long read!
In my experience, when teachers (including me) begin the process of thinking about a new year, uppermost in their minds is what to teach. This might mean returning to successful schemes of work (those which excite students and seem to generate decent results). The more energetic and enterprising may begin to write lists of ideas, materials and processes for new projects (perhaps related to brilliant exhibitions or artists they discovered on their summer holidays). Some may even begin to tentatively sketch out new resources or even whole schemes of work. Most of us will be reflecting on the summer exam results and wondering what worked, what might need tweaking for the coming year and what needs consigning to the dustbin of history.
I wonder how many teachers begin their planning for the new year thinking about ethics?
I took this picture on a TUC march in central London. There were loads of brilliant, hand-made signs. My favourite (which I failed to photograph) simply said:
So many problems. So little cardboard!
This one came a close second. It got me thinking (again) about the importance of ethics in education. So much of educational discourse is dominated by the "what works" agenda. There is so much pressure on teachers and leaders to 'produce' results that it's easy to lose sight of some fairly fundamental issues concerning the how (pedagogy) and the why (ethics) of education.
I feel very fortunate to work in a local authority state comprehensive school which affords me a high level of professional autonomy. I have friends and colleagues in less fortunate circumstances. What, and to some extent how, they teach is very strictly policed. I am fully aware of my privileged position. Moreover my (Ex) headteacher chaired a national commission which produced a Framework for Ethical Leadership in Education. But ethics isn't just for school leaders. I suppose what I'm suggesting is that all of us could spend a bit more time reflecting on the purposes of education.
This is where the brilliant Biesta is so helpful. There's no substitute for reading Biesta's lucid, closely-argued but accessible texts. All I can hope to do is cherry-pick the bits that appeal to me and encourage you to seek out the rest for yourselves. There are some very good clips of him speaking on YouTube.
How much professional development time is taken up with discussions about either the curriculum, techniques for more effective dissemination of the curriculum (including how to support students with SEND), exam preparation and behaviour management? My guess would be approaching 100%. Biesta proposes that there are three domains of education: qualification, socialisation and subjectification (see diagram above). He argues that these domains ought to be kept in balance. My experience tells me that we spend a disproportionate amount of time considering issues related to qualification, less time thinking about socialisation and almost no time at all exploring subjectification. But what do these terms mean?
Qualification - knowledge and skills (what students need to know and be able to do)
Socialisation - cultures, traditions and practices (how we do things here)
Subjectification - the freedom to act or refrain from acting as a person
Subjectification is a tricky concept and one that seems (to me) to be less important in CPD planning and provision. Biesta offers this further explanation:
This is not about freedom as a theoretical construct or complicated philosophical concept, but concerns the much more mundane experience that in many — perhaps even all — situations we encounter in our lives. We always have a possibility to say yes or to say no, to stay or to walk away, to go with the flow or to resist — and encountering this possibility in one's own life, particularly encountering it for the first time, is a very significant experience. Freedom viewed in this way is fundamentally an existential matter; it is about how we exist, how we lead our own lives, which of course no one else can do for us. Put differently, freedom is a first-person matter. It is about how I exist as the subject of my own life, not as the object of what other people want from me.
Freedom hasn't always been considered a purpose of education. As we have moved from an aristocratic to a more democratic education system, we should remind ourselves that freedom has not always belonged to everyone. It used to exist to provide only the (already free) rich white men with the cultural resources to enjoy their privilege. With freedom in mind, Biesta wonders whether we devote enough energy to discussing the purposes of education. What matters.
[...] perhaps we have lost a language to talk about these things, so that there is a need to rediscover and reclaim a different language for education and perhaps we have ended up in a system that prevents us from thinking and talking about what really matters in education? What should matter in education? What’s it all about?
What's photography education all about?
No-one would deny that photography education should be concerned with knowledge, skills, cultures and traditions. But If we accept, for a moment, that education should also be oriented towards the freedom of the individual, what implications does that view have on our day-to-day practice in the classroom? And how might we engage our students in reflecting on the relationship between photography and (their) freedom?
Part 2 attempts to explore the notion of subjectification in photography education.